Three skilled teams hit the beach to renovate identical beachfront properties. With some help from Ty Pennington, Alison Victoria and Taniya Nayak, they'll compete to wow the judges with their home remodels and walk away with a $50,000 cash prize!

Film director, Joongrae, is preparing for his next movie but is unable to finish his script. So he pleads his friend, Changwook a production designer, to go with him on a trip even though Changwook had already made plans with his girlfriend, Moonsook, a composer. Eventually Changwook brings his girlfriend along and they all go on a trip to the west coast to visit Shinduri Beach Resort, which is covered with cherry blossoms and a flowing mist. There, Joongrae makes advances on Changwook's girlfriend, Moonsook. Already a fan of his films, Moonsook doesn't hide her interest. So later, while avoiding Changwook's eyes, the two spend a heated night together. But the next day Joongrae's face is filled with anxiety as he proposes to go back to Seoul. He and Moonsook then part awkwardly.

This is only the second Audie Murphy movie set in WWII after his autobiographical "To Hell and Back." Here Murphy steps out of his usual kid-Western role to play a civilian working for the Navy helping supply guerilla insurgents in the Philippines. His sole motive is not politics nor bravery, but to find his bride from whom he was separated during the Japanese invasion two years before

Sonic Youth's Blood on the Beach is comprised of two shows and interview clips recorded in November 1985 in Brighton, UK.

It’s 1983 in San Francisco and a mysterious killer is targeting homosexual men. But Calvin just wants to kiss that handsome stranger.

It’s 1983 in San Francisco and a mysterious killer is targeting homosexual men. But Calvin just wants to kiss that handsome stranger.

The creative processes of avant-garde composer Philip Glass and progressive director/designer Robert Wilson are examined in this film. It documents their collaboration on this tradition breaking opera.

The creative processes of avant-garde composer Philip Glass and progressive director/designer Robert Wilson are examined in this film. It documents their collaboration on this tradition breaking opera.

Cara Rudland thought she’d left her Southern roots and troubled family far behind, but returns to the scenic Lowcountry of her childhood summers after losing her job in Chicago. There, she reconnects with her mother Lovie, who has been caring for her young, pregnant friend Toy in her charming beach house.